Sexual Healing By Marvin Gaye

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Liederkranz Hall Studio New York

Marvin Gaye – Sexual Healing (Official HD Video)

Columbia also recorded in the highly respected Liederkranz Hall, at 111 East 58th Street between Park and Lexington Avenues, in New York City, it was built by and formerly belonged to a German cultural and musical society, , and used as a recording studio . The producer Morty Palitz had been instrumental in convincing Columbia Records to begin to use the Liederkranz Hall studio for recording music, additionally convincing the conductor to make some of the first recordings in Liederkranz Hall which until then had only been used for radio shows. In 1949, the large Liederkranz Hall space was physically rearranged to create four television studios.

Late 1980s To 2000s Nu

While funk was driven away from radio by slick commercial , and , its influence continued to spread. Artists like Steve Arrington and Cameo still received major airplay and had huge global followings. Rock bands began adopting elements of funk into their sound, creating new combinations of “” and “”. , , , , , , , , , , , and spread the approach and styles garnered from funk pioneers to new audiences in the mid-to-late 1980s and the 1990s. These bands later inspired the underground mid-1990s funkcore movement and current funk-inspired artists like , , , and .

In the 1990s, artists like , and the movement including artists and bands such as , , , , and the carried on with strong elements of funk. However, they never came close to reaching the commercial success of funk in its heydaywith the exception of Jamiroquai, whose album sold about 11.5 million units worldwide and remains the best-selling funk album in history. Meanwhile, in Australia and New Zealand, bands playing the pub circuit, such as , and , preserved a more instrumental form of funk.

Since the late 1980s artists have regularly old funk tunes. is said to be the most sampled artist in the history of hip hop, while is the second most sampled artist samples of old and songs formed the basis of .

Writing Credits For Sexual Healing

Gaye actually wrote this song while living in Belgium, more specifically the coastal city of Ostend. And he decided to chill out in that part of Europe for a while in the name of recuperating from some issues he was plagued with stateside, such as drug addiction, divorce and even the taxman.

That said, the officially credited writers of this song are Gaye and jazzman Odell Brown . And Gaye also produced the track.

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The Kinks You Really Got Me

Convinced that the bands previous two singles had flopped because they were too pristine, the Kinks went into the studio in the summer of 1964 to record this deliberately raw rave-up, written by Ray Davies on the piano in his parents living room. But the original recording still felt too shiny, and the band had to borrow £200 to cover the cost of another session. Seventeen-year-old guitarist Dave Davies took a razor to the speaker cone on his amp to get the desired dirty sound for that immortal, blistering riff. The song came out of a working-class environment, Dave recalled. People fighting for something.

Lou Reed Walk On The Wild Side

Sexual healing + instru réédition spéciale by Marvin Gaye, CDS with ...

Reed was asked to write songs for a musical based on the novel A Walk on the Wild Side. The show never happened, but Reed kept the title. I thought it would be fun to introduce people you see at parties but dont dare approach, he said. The Mick Ronson/David Bowie-produced result was an unsentimental look back at the characters from Andy Warhols Factory scene, complete with references to transgender people, oral sex, and amphetamines shocking stuff for the radio in 1972. In novels, this would be considered nothing, he told Rolling Stone years later. Its not a scary song The Brothers Karamazov is scarier than that song.

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David Bowie Space Oddity

As its name suggests, Bowies ethereal Space Oddity was heavily influenced by Stanley Kubricks groundbreaking 2001: A Space Odyssey, rather than the actual 1969 moon landing that closely coincided with its release. It was picked up by the British television, and used as the background music for the landing itself, Bowie said. Im sure they really werent listening to the lyric at all. It wasnt a pleasant thing to juxtapose against a moon landing. Crucially, it became Bowies first U.S. hit, offering just a glimpse of the ever-evolving star he would become.

The Kingsmen Louie Louie

A blast of raw guitars and half-intelligible shouting recorded for $52, the Kingsmens cover of Richard Berrys R& B song hit Number Two in 1963 thanks in part to supposedly pornographic lyrics that drew the attention of the FBI. The Portland, Oregon, group accidentally rendered the decidedly noncontroversial lyrics indecipherable by crowding around a single microphone. I was yelling at a mic far away, singer Jack Ely told Rolling Stone. I always thought the controversy was record-company hype.

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Pink Floyd Comfortably Numb

Roger Waters was suffering from stomach cramps before a gig in Philadelphia when a doctor injected him with tranquilizers. He gave me a shot, and to this day I dont know what it was, the bassist recalled in 2010. But its not something I would ever recommend giving to a human being. It came out of a dart that felt like it was used to tranquilize an elephant. From that experience came The Wall epic Comfortably Numb, one of the saddest drug songs ever, featuring not just one, but two mind-melting solos from David Gilmour. Im perfectly happy to puzzle the hell out of people who try to work out how it was done, he said.

The Five Satins In The Still Of The Night

Marvin Gaye – Sexual Healing (Live)

Five Satins frontman Fred Parris wrote the song while on guard duty in the Army, and the group recorded it in the basement of a church in Parris hometown of New Haven, Connecticut. The roughness shows: The drums and piano are muffled, the alto sax cracks during the solo, and the backing vocals wander off-key. But the primitive sound and the fact that only four of the Five Satins were even present for the session cant keep In the Still of the Night, originally released as a B side, from being a sublime, definitive piece of doo-wop.

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Madonna Into The Groove

Perhaps the greatest dance-pop invitation of the Eighties, Into the Groove was written by Madonna and Steve Bray, who had played drums in the punk band Madonna briefly fronted during her early New York days. The song soundtracked the scene where she goes to NYC hot spot Danceteria in her movie Desperately Seeking Susan, and soon became a smash. The dance floor was quite a magical place for me, she said n 1998. I started off wanting to be a dancer, so that had a lot to do with it. The freedom that I always feel when Im dancing, that feeling of inhabiting your body, letting yourself go, expressing yourself through music.

Rem Radio Free Europe

R.E.M.s first single was a pure band creation: I wrote the verse and B section late one night while sitting alone downstairs in an Athens record store, while a party was going on upstairs, recalled bassist Mike Mills. Peter wrote the chorus and bridge, and Michael supplied the melody and lyrics. They released a raw, fast version on a local indie label in 1981, and rerecorded it for 1983s epochal Murmur, with a richer melody and tighter rhythm like Motown, Buck recalled. Stipe mumbled his lyrics because he hadnt finished writing them when it was time to record.

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The Jimi Hendrix Experience Little Wing

Blissed out from his appearance at the Monterey International Pop Festival, Hendrix conjured this brief reverie in a London session, saying the gossamer ballad was like one of those beautiful girls that come around sometimes. His guitar solo emerges from a Leslie speaker cabinet, a piece of equipment originally designed for organs, which accounts for the oscillating sound, and a glockenspiel completes the mood. Its a performance that stuns guitarists still, as Tom Morello of Rage Against the Machine noted: He seamlessly weaves chords and single-note runs together and uses chord voicings that dont appear in any music books.

How We Made The List And Who Voted

Marvin Gaye. Sexual Healing. CD.

Nearly 4,000 songs received votes. Where the 2004 version of the list was dominated by early rock and soul, the new edition contains more hip-hop, modern country, indie rock, Latin pop, reggae, and R& B. More than half the songs here 254 in all werent present on the old list, including a third of the Top 100. The result is a more expansive, inclusive vision of pop, music that keeps rewriting its history with every beat.

Jonathan Bernstein, Jon Blistein, David Browne, Jayson Buford, Nick Catucci, Mankaprr Conteh, Bill Crandall, Jon Dolan, Gavin Edwards, Jenny Eliscu, Brenna Ehrlich, Jon Freeman, David Fricke, Andy Greene, Joe Gross, Kory Grow, Keith Harris, Will Hermes, Brian Hiatt, Christian Hoard, Joseph Hudak, Jeff Ihaza, Rob Kemp, Greg Kot, Elias Leight, Rob Levine, Alan Light, Julyssa Lopez, Angie Martoccio, Michaelangelo Matos, Tom Moon, Tom Nawrocki, Jon Pareles, Parke Puterbaugh, Mosi Reeves, Jody Rosen, Robert Santelli, Austin Scaggs, Claire Shaffer, Bud Scoppa, Rob Sheffield, Hank Shteamer, LC Smith, Brittany Spanos, Rob Tannenbaum, Simon Vozick-Levinson, Barry Walters, Alison Weinflash, Douglas Wolk

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Mott The Hoople All The Young Dudes

Mott the Hoople were on the verge of splitting up when David Bowie played them a demo of All the Young Dudes in 1972. The band had already declined Suffragette City, so this time they thought twice. Bowie originally wrote the song to tie into the apocalyptic futurist vibe of his classic album Ziggy Stardust in the hands of Mott the Hoople, it became a call-to-arms glam-rock anthem, defining the band and overshadowing the rest of its career. You can say it might have had an adverse effect on the bands image, said Ian Hunter. But without it there wouldnt have been a band. Simple as that.

Louis Armstrong What A Wonderful World

The jazz legend cut this tender song of autumnal optimism one late night after performing in Vegas. It stiffed in the U.S. the president of ABC Records was so miffed that Pops hadnt recorded something upbeat, à la Hello Dolly, that he refused to promote the song. British music fans didnt care though they made What a Wonderful World an overseas hit, the last during Armstrongs lifetime. Two decades later, when it appeared in the Robin Williams film Good Morning Vietnam, the song finally entered the U.S. charts, belated proof of how beloved it had grown over the years.

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The Meters Cissy Strut

In the late Sixties, every New Orleans band including the Meters was opening its set with Hold It, a Bill Doggett instrumental. But Meters guitarist Leo Nocentelli thought it was time for a change. I got sick of playing that, so I wrote Cissy Strut, he said, contributing a trebly guitar lick that feeds into a thick chord flick, while the heavy strut of drummer Joseph Modelistes beat carries NOLA tradition into the future of funk. Years later, when rappers burned out on James Brown needed new breaks, the Meters signature tune was one place they turned.

The Story Of ‘sexual Healing’ By Marvin Gaye

Marvin Gaye – Sexual Healing

15 November 2021, 15:29

It’s one of the sexiest songs of all time, and quite possibly the sexiest song ever.

Listen to this article

‘Sexual Healing’ is arguably ‘s most beloved song, and it’s certainly his most successful.

Besides being a go-to for late-night playlists all over the world, the track also marked a major moment in Marvin Gaye’s career.

‘Sexual Healing’ was the first song since his departure from Motown Records, the label he helped become a dominant force throughout the 1960s and 70s, becoming a global icon himself.

I mean, who else could get away with rhyming “oven” and “lovin'”?

So how did the song come about? Here’s everything you need to know:

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Sexual Healing Lyrics By Marvin Gaye

Get up, get up, get up, get up!Wake up, wake up, wake up, wake up!

Oh, baby now lets get down tonight

Ooh baby, Im hot just like an ovenI need some lovinAnd baby, I cant hold it much longerIts getting stronger and stronger

And when I get that feelingI want sexual healingMakes me feel so fine

Helps to relieve my mindSexual healing baby, is good for meSexual healing is something thats good for me

Whenever blue teardrops are fallinAnd my emotional stability is leaving meThere is something I can doI can get on the telephone and call you up baby

And honey I know youll be there to relieve meThe love you give to me will free meIf you dont know the thing youre dealingOhh I can tell you, darling, that its sexual healing

Get up, get up, get up, get upLets make love tonightWake up, wake up, wake up, wake upCause you do it right

Baby, I got sick this morninA sea was stormin inside of meBaby, I think Im capsizinThe waves are risin and risin

And when I get that feelingI want sexual healingSexual healing is good for meMakes me feel so fine, its such a rushHelps to relieve the mind, and its good for us

Sexual healing, baby, its good for meSexual healing is something thats good for meWell, its good for me and its so good to me my baby, ohh

Come take control, just grab a holdOf my body and mind, soon well be making it, honeyIll be feeling fine,Youre my medicine, open up and let me inDarling, youre so great, I cant wait for you to operate

Letra De La Cancin Sexual Healing De Marvin Gaye En Ingls

-Get up, get up, get up, get up- -Wake up, wake up, wake up, wake up-

Oh, baby now let’s get down tonight Oh, baby, I’m hot just like an oven I need some loving And baby, I can’t hold it much longer It’s getting stronger and stronger And when I get that feeling I want sexual healing Makes me feel so fine Helps to relieve my mind Sexual healing baby is good for me Sexual healing is something that’s good for me

Whenever blue teardrops are falling And my emotional stability is leaving me There is something I can do I can get on the telephone and call you up, baby

And honey I know you’ll be there to relieve me The love you give to me will free me If you don’t know the thing you’re dealing Oh I can tell you, darling, that it’s sexual healing

Get up, get up, get up, get up Let’s make love tonight Wake up, wake up, wake up, wake up Because you do it right Baby, I got sick this morning A sea was storming inside of me Baby, I think I’m capsizing The waves are rising and rising

And when I get that feeling I want sexual healing Sexual healing is good for me Makes me feel so fine, it’s such a rush Helps to relieve the mind and it’s good for us Sexual healing, baby, it’s good for me Sexual healing is something that’s good for me Well, it’s good for me And it’s so good to me my baby

Come take control Of my body and mind Soon we’ll be making it, honey I’ll be feeling fine Open up and let me in Darling, you’re so great I can’t wait for you to operate

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Stevie Wonder You Are The Sunshine Of My Life

Wonder originally wrote and recorded You Are the Sunshine of My Life while he was finishing his 1972 LP, Music of My Mind, but he decided to hang on to it until his next album, Talking Book, where it became the albums second Number One, following Superstition. The song originated from a band rehearsal and was recorded that same night at Electric Lady Studios. The feeling of the melody is happy, because when I wrote it I was in New York in late spring, early summer, Wonder later said. Good things were happening.

Rick James Super Freak

Marvin Gaye  Sexual Healing (1996, CD)

James was nearly done with his 1981 LP, Street Songs, when one day in the studio, he started noodling around on the bass and singing random lines like Shes a very kinky girl. He didnt give it a second thought, until a bandmate told him to keep going. Made it up on the spot, James recalled in his memoir, Glow. It just kinda grew out of me. He called in the Temptations to help him sing the harmonies. Its not as funky as my usual stuff, he told them. But maybe thatll mean white people will dance to it. It also meant the biggest hit of his career, a Grammy winner for Best Male Rock Vocal Performance, and a huge payday when MC Hammer sampled it for U Cant Touch This.

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The Flamingos I Only Have Eyes For You

Like many great singing groups, this smooth quartet honed their distinct harmonies in the Black church. Tenor Terry Buzzy Johnson struggled to devise a novel arrangement that could make crooner Ben Selvins 1934 hit engaging to modern audiences, until the otherworldly echo, piano plink, and coaxing doo-bop-sh-bops that would set the Flamingos version apart came to him in a dream. The other members werent exactly thrilled when he called them over at four in the morning to share his revelation, but the classic recording proved worth losing a little sleep over.

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